This debut disc was about evenly split between Judy Collins-ish wimp-folk warblings and unconvincing (but interesting) covers of more rugged country and blues oldies. Linda Ronstadt "Hand Sown, Home Grown" (Capitol, 1969) Nowhere near as good as her first hits collection, but it has its moments. It also includes her "punk" cooptation, "How Do I Make You," which is actually kind of fun because it's so absurd and ineffective an attempt to tap into the punk-New Wave vibe of the times. Drawing on her 1976-80 hits, this album is packed with less-than-stellar rock oldies cover tunes, such as a coked-up cover of Chuck Berry's "Livin' In The USA," a milky version of "Just One Look" and a hamfisted, monotonous "It's So Easy." Then again, her rendition of "Blue Bayou" is still as evocative as ever, while "Poor Poor Pitiful Me" and "Tumblin' Dice" are both pretty swell. The country vibe is all but gone on this second best-of set, and the Ronstadt clique seems to have run out of some of its creative steam. Linda Ronstadt "Greatest Hits, v.2" (Asylum, 1980) Sure its goopy, but its also some of the best music to come out of the LA country-rock scene of the 'Seventies. but on song after song, Ronstadt simply nails it, delivering a perfect mix of twang and pop. Her fame may have made her the target for plenty of snide comments, etc. The standard-issue best-of from back when Ronstadt's star was at its highest, this is a very listenable, very rewarding set, which I can put on and enjoy, no problem. Linda Ronstadt "Greatest Hits" (Asylum, 1976)Īlthough it has fewer tracks - "just" twelve - this best-of set is solid gold. The last third of the CD (the later stuff) you can skip, but the rest of it - mainly from her '70s heyday - is pretty fun. ![]() This disc covers her career from 1967-93. She also had a relaxed, girl-next-door warmth and natural ease that lent itself well to slick studio production, making possible the sleek blending of styles that blurred the lines between genres, subtly bringing twang back into the rock idiom, while making country music accessible to non-country audiences. She recorded definitive versions of many important songs and turned her star power towards helping establish many up-and-coming songwriters. When the Southern California country-rock scene started to bubble up into the national consciousness, Ronstadt was there as an able interpreter and spokeswoman. Hard rock fans and disco freaks alike took great pleasure in trashing Linda Ronstadt throughout the 'Seventies, but you gotta give the gal credit where credit is due. Linda Ronstadt "The Very Best Of Linda Ronstadt" (Rhino, 2002) By the end of the decade, Ronstadt had become more of a pop singer, with a more overt emphasis on rock and disco, but for country fans, her early albums hold a lot of gentle jewels. Like Emmylou Harris, Ronstadt was known for her track record spotting talented songwriters, and for championing their work. The Eagles were originally her backing band, and her clique of collaborators included talents such as songwriter J. Zevon's version of the song features Phil Everly singing harmony vocals, and also David Lindley playing slide guitar.Linda Ronstadt Discography - Slipcue.Com Guide To Hick Musicīack in the 1970s, Linda Ronstadt was, literally, the poster girl for the Southern California country-rock movement, palling around with all the hot young musicians in the drug-soaked scene, while recording several sweet albums of cannily crafted country-folk-pop. It was with Browne's assistance that Zevon got a major record contract. Their relationship played a significant role in his career thereafter. The track was produced by Jackson Browne, who met Zevon in the mid-seventies. The lyrics of the song describe the latter days of a relationship between a man and a woman, with the woman accepting that "nothing's working out the way they planned" before the man accepts that "she needs to be free". ![]() The song was later covered by Linda Ronstadt, who would use the song as the title track for her seventh solo LP. "Hasten Down the Wind" is a song written and recorded by Warren Zevon and featured on his eponymous major-label debut album. 1976 single by Warren Zevon "Hasten Down the Wind"
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